Why friar lawrence is innocent in the play romeo and juliet by william shakespeare

Juliet, on the other hand, is an innocent girl, a child at the beginning of the play, and is startled by the sudden power of her love for Romeo.

Guided by her feelings for him, she develops very quickly into a determined, capable, mature, and loyal woman who tempers her extreme feelings of love with sober-mindedness.

Is it plausible that a love story of this magnitude could take place so quickly? This Shakespeare simply accepted from his original, with his usual indifference to external detail.

For this, being smelt, with that part cheers each part; Being tasted, slays all senses with the heart. He fears this overflowing flood-tide of happiness, and expounds his philosophy of the golden mean — that wisdom of old age which is summed up in the cautious maxim, "Love me little, love me long.

When first we meet the Friar, he is out in the early morning culling simples for use in medicine, a science he has deeply and successfully studied.

His piety, benevolence, and sympathy are undoubted, but whereas in his solitary musings and his priestly intercourse with human nature he thinks to have garnered up the teachings of philosophy, he has in reality missed true wisdom of life. He in fact does evil that good may come — and with the usual result of such temporizing.

The Poet has placed in the mouth of Friar Laurence a tranquil life-philosophy, which he first expresses in general terms, and then applies to the case of the lovers. And how natural it seems that from that very agitation he should draw lessons of tranquillity!

Friar Laurence is full of goodness and natural piety, a monk such as Spinoza or Goethe would have loved, an undogmatic sage, with the astuteness and benevolent Jesuitism of an old confessor — brought up on the milk and bread of philosophy, not on the fiery liquors of religious fanaticism.

The Poet here rises immeasurably above his original, Arthur Brooke, who, in his naively moralising "Address to the Reader," makes the Catholic religion mainly responsible for the impatient passion of Romeo and Juliet and the disasters which result from it.

The attraction between Romeo and Juliet is immediate and overwhelming, and neither of the young lovers comments on or pretends to understand its cause.

Friar Laurence

This rush heightens the sense of pressure that hangs in the atmosphere of the play. Does the play seem to take place over as little time as it actually occupies?

Why does Mercutio hate Tybalt? It would bring down something worse upon Romeo and Juliet, and this consideration we may well believe weighs more heavily upon him than any personal penalties. But when he has himself to act, his stored up wisdom only leads him wrong.

Within the infant rind of this sweet flower Poison hath residence, and medicine power: He errs in being a party to the marriage, and his ingenuity and resource suggesting an escape from the inconvenient consequences of this step, he thinks to remedy his first error by a stratagem in which the child-like Juliet is to be involved.

Two such opposed kings encamp them still In man as well as herbs, — grace, and rude will; And where the worser is predominant, Full soon the canker death eats up that plant.

How do they develop throughout the play? Some of them have curative properties, others contain death-dealing juices; a plant which has a sweet and salutary smell may be poisonous to the taste; for good and evil are but two sides to the same thing II.

He enters his cell with a basket full of herbs from the garden. It is very characteristic of the freedom of spirit which Shakespeare early acquired, in the sphere in which freedom was then hardest of attainment, that this monk is drawn with so delicate a touch, without the smallest ill-will towards conquered Catholicism, yet without the smallest leaning towards Catholic doctrine — the emancipated creation of an emancipated poet.

Still, his duty is or should be clear before him. From The Works of William Shakespeare. At the beginning of the play, he mopes over his hopeless unrequited love for Rosaline. How finely his tranquillity contrasts with the surrounding agitation! It would be to misunderstand the whole spirit of the play if we were to reproach Friar Laurence with the not only romantic but preposterous nature of the means he adopts to help the lovers — the sleeping-potion administered to Juliet.

To the self-possessed Mercutio, Tybalt seems a caricature; to Tybalt, the brilliant, earthy, and unconventional Mercutio is probably incomprehensible.In Romeo and Juliet, a tragedy by William Shakespeare, Friar Lawrence plays a dominate role in the eventual death of Romeo and Juliet even though he is not on stage for most of the play.

There are basically three major parts that lead to the tragedy; the marriage, the plan, and the inevitable deaths. Brandes: William Shakespeare. For much more on the character of Friar Laurence, please see the Romeo and Juliet explanatory notes for For more on the Franciscan order of friars, Friar John, and the plague please see the.

Romeo and Juliet with Friar Laurence by Henry William Bunbury. Created by: William Shakespeare: Friar Laurence is a fictional character in William Shakespeare's play Romeo and Juliet. Role in the play. Friar Laurence is a Created by: William Shakespeare.

Why should you care about what Friar Laurence says in William Shakespeare's Romeo and Juliet? Don't worry, we're here to tell you. A mentor to both Romeo and Juliet, Friar Laurence constantly advises them to act with more caution and moderation, even though he doesn't wait too long before agreeing to marry off these two crazy kids.

In the Zeffirelli film version, the Friar tells Romeo, "Wisely and slow. They stumble that.

In Juliet, Romeo finds a legitimate object for the extraordinary passion that he is capable of feeling, and his unyielding love for her takes control of him. Juliet, on the other hand, is an innocent girl, a child at the beginning of the play, and is startled by the sudden power of her love for Romeo.

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Why friar lawrence is innocent in the play romeo and juliet by william shakespeare
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